French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | The Adoration of the Golden Calf | Heilige Familie | Paisaje con ruinas | Paysage avec une femme se lavant les pieds | The Triumph of Flora |
Related Artists:
Briton Riviere
(14 August 1840 C 1920) was an Irish artist born in London, England. His father, William Riviere, was for some years drawing-master at Cheltenham College, and afterwards an art teacher at Oxford University. He was educated at Cheltenham College and at Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father, and early in life made for himself a place of importance among the artists of his time. His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by "The Eve of the Spanish Armada", and in 1864 by a "Romeo and Juliet". Subjects of this kind did not, however, attract him long, for in 1865 he began, with a picture of a "Sleeping Deer-hound", a series of paintings of animal-subjects which later occupied him almost exclusively.
Jacob Gerritz. Loeff, Monogrammist JGL
Alternative names Jacob Gerritz. Loeff, Monogrammist JGL Description Dutch painter Date of birth/death c. 1606-1607 after 1670
blunck
1799-1853